Mexican supervising sound editor Martín Hernández, who was Oscar-nominated for Best Sound Editing for Birdman and The Revenant in 2014 and 2015 respectively, says the category is wide open this year ...

Aaron Glascock talks about the scene in which Michael Keaton's character finds himself locked out of a theater and has to make his way, almost naked, through the heart of Manhattan. As the Academy ...

Big orchestral scores have become standard fare for directors looking to convey emotion or advance a storyline. This year, “Birdman” and “Whiplash” used percussion to accomplish those goals. “It’s not ...